The man has many faces, many monikers through which he channels a singular vision of hip-hop that’s been allowed to expand in the margins without coercion from corporate suits and label politics.But here, now, today, he is simply DOOM.
Daniel Dumile’s widest-known alter ego has dropped his ‘MF’ prefix for album three, ‘BORN LIKE THIS’ (the name is taken from a Charles Bukowski poem), but the British-born and New York-based rapper’s ear for the absurd in anyone else’s hands, his love of experimentation and sculpting designs anew, remains absolutely apparent. Five years may have passed since his last solo offering, ‘MM..Food’ (an anagram of his name, FYI), but DOOM hasn’t been lazing about, resting on his laurels.
In the same year as ‘MM..Food’, 2004, he released the ‘Madvillainy’ album, a collaborative effort with acclaimed producer Madlib (a follow-up is in the works); 19 months later, ‘The Mouse And The Mask’ emerged, showcasing DOOM’s vocals alongside beats and pieces from white-hot studio wiz Danger Mouse. So, while DOOM as a solo artist has been off the scene, his rhymes have found their place in the public’s ear – both collaborations took Dumile to a new level of recognition.
And it’s this raised profile that ensures Clash gets 30 minutes phone time with the man himself. It’s late here but early there, and DOOM’s just getting started… Read interview here..
